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Love Is Justice:
An Exploration Into Mankind's Fundamental Nature
by Eric Robert Morse

Exposed:
The Victorian Nude
by Alison Smith

J
W Waterhouse
by Anthony Hobson |
|
The
epitome of beauty and grace is the female breast. It is no wonder
that so many of us artists have attempted to capture this divinely
shaped perfection in our art. The female breast is the finest master
work of the finest artistic master ever—God, and although most
women have expressed a sincere ambivalence toward the highly functional
and sometimes rather cumbersome body part, I would hardly doubt that
any rational man would disagree that the female breast is the most
invigorating physical thing in the universe. Though decidedly true,
it is this premise which seems to me—a highly sophisticated
consumer of the breast—to be rejected or even mocked by most
men I know and the popular culture in general. This is a contradiction
accomplished by an unwavering exaltation of particularly large breasts.
I cannot say that any man would claim to hate the female breast,
most would claim the opposite, but their actions and ideological
footing that maintain their love for large breasts would certainly
contradict any such claim. To uncover and renounce this contradiction
as well as to express my genuine adoration and respect for the breast
and the fairer sex as a whole will be the focus of this essay.

Conscientious
Girl
2005, Oil on canvas, 14"x18"
View more
writings and artwork by Eric Robert Morse at The
Weather Report |
* * *
So,
what is a breast?
Positioned
on the female chest in paired symmetry, it is the natural milk-secreting,
glandularorgan
for humans. Contained within each breast is a collection of 15 to
20 lobes which are the source of the milk and a number of ducts which
convene and end at the nipple. This structure is supported by fat
and connective tissue creating an extraordinary shape in nature—a
semi-sphered base topped by a semi-cone.
The breast’s purpose is of interest to me. The obvious function of the
organ is to feed human offspring and thereby to facilitate reproduction. Until
the 20th century, it was rare that a mother would feed her child anything other
than breast milk, especially in the first year of her child’s infancy,
but modern civilization has found alternatives agreeable to many women and
families. By replacing breast milk with packaged formula, the mother can
spend time away from the child when he or she needs food thus offering the
mother greater freedom in an era of two-parent incomes and single mother
households.
In effect, it is possible that the breast could be rendered useless
if all women decide to stop the natural feeding of their children
and there is no other use for the breast. To my confident happiness,
many women still find virtue in breast feeding so as to perpetuate
this particular use, but in addition to this, as I’ve discovered,
there is a persistent value offered by the organ that will never lessen
regardless of technological advance.
The female breast, in addition to many other prominent female
attributes, serves as a physical mechanism by which we can realize
the alterity of the genders. Just as the relative easure of
the male body presupposes a strength and speed superior to that
of the female, so too does the curvature of the female body—particularly
the breast as well as the waist-to-hip sequence—presuppose a grace
and beauty superior to that of the male. The everlasting value of the breast
is that it is nothing less than the representative of femininity and all
things feminine.
This particular value of the breast is one that is more sophisticated
than the functional value proposed above and quite abstract and
for these reasons, it is often neglected and terribly distorted
to a point where the breast is despised or rejected or at best
objectified in lust.
To explain this blasphemy, I will first explain the more abstract
value offered by the female breast. Aesthetically, it is superb.
Like a raindrop lying gently on the chest, it drifts ever so gradually
outward from the collar bone and superior pectorals down to the
nipple where it redirects back toward the torso forming a fully
distributed reservoir. The shape is geometrically compelling as
if it were a part of some fundamental mathematical law of nature.
Is it a coincidence that we are presented with this form of perfection?
Many would say yes, but with a more intricate study into human
development, we may have a clue to the intentional nature of this
shape.Specifically, it is still unknown why humans began to stand
upright as opposed to crawling around like monkeys. But without
an upright woman, the female breast would dangle about without
support not unlike what is seen in four-legged mammals and thus,
the perfect form seen in her breast would be lost. Perhaps we became
upright in order to witness this wonderful aesthetic.
Perhaps, by chance a prehistoric woman was reaching up for some
berries and offered a glimpse of the breast the way we see it today.
Her beauty attracted the most capable potential mates and she attributed
it to her uprightness. Other females saw this and mimicked the
behavior. Soon enough, all the women were upright and they demanded
the men to stand up as well and here we are, with the most productive
race ever.
Without further speculation that I am unwilling to substantiate,
it should be said that the female breast has always served as a
tool of attraction. Whether we see it in the early Egyptian or
Italian wall paintings or we consider fashion of primitive tribes
that has lasted for millennia, the breast serves as a focal point
for the interaction with and attraction to males. The question
is why is there such attractiveness associated with the breast?
*
* *
What
Makes Breasts Attractive?
It
could be due to its uniqueness as alluded to above. Many unique things
in nature are generally considered beautiful, such as the fjords
in Scandinavia or the majesty of the Swiss Alps. Nowhere else in
nature are these things found, and likewise, nowhere in nature is
the form of the breast seen. With regard to breasts of other animals,
even other primates, none possess the same structure as the human
breast, most are flimsy and hairy. Moreover, in comparison to other
animals, the human breast is the only one with a distinct areola,
the circular field surrounding the nipple.
There are, however, things unique in nature that are unattractive. Consider
the 3-toed sloth or the Great Plains in the central United States. These things
have no aesthetic rivals but are found to be less than attractive. And so,
since we cannot rely on uniqueness for beauty, there must another cause for
the attraction to the breast.
In order to find this cause, I will next examine the popular male preference
for breasts in order to determine what characteristics make the form so appealing.
Currently, the general breast preference for men is simple—large. The
larger the better, for some reason, is the rule of thumb for any dancing male
at a drunken discotheque. If possible, overwhelmingly large, offensively protruding
aerostatic balloons would be necessary to satisfy most men.
So, is it possible that breasts are attractive to men because they are large?
Does beauty lie in things that are relatively large? Although the immensity
of the Rockies is breathtaking, I would hardly consider everything that is
unsmall, including professional wrestlers and hippopotamuses as beautiful.
Indeed, it seems that the beauty of breasts is actually lost when girls and
women contort their chests and backs or actually stuff their breasts with some
foreign package to promote their breasts a couple ranks. There is no aesthetic
value in breasts which portray volleyballs glued to a woman’s chest by
rippled skin. Spherically rounded milk melons with exhausted nipples do not
a pretty sight make although many men might tell you they do.
It cannot be that largeness of breasts is what attracts men to them, but why,
then, do men desire large breasts such that only large breasts will satisfy
them? Why do they disregard their innate appreciation for true beauty in order
to crave the aesthetically offensive and how does this tie into the true beauty
and relevant attraction offered by breasts?
* * *
Why
Men Like Large Breasts
In
my extensive intuitive research into the breast and the attraction
thereof, I have found a very interesting nugget of information. Specifically,
when a man suggests that he prefers large breasts over small breasts,
he will always say with enthusiasm that he would rather have a mate
with a perfect face and average body over a mate with a perfect body
and average face. To the lover of large breasts, it is a no-brainer
to take the perfect face over the perfect body.
The consequences of this finding are intriguing. Uncovered is the notion that
the lover of large breasts sees the body as subordinate as if to say that the
beauty of the body cannot meet the absolute beauty of the face. The face is
what matters and the body, of which the breast is an integral part, is just
auxiliary. If this is the case, then the lover of large breasts cannot be a
true lover of breasts at all if only because to love something is to embrace
the absolute virtue in something, not to consider it an extra. The love of
large breasts, then, is not one of a sophisticated adoration, but rather, as
I will explore below, an unsophisticated hankering.
Many men who have tried to justify their wantingness for large breasts may
suggest that a man’s urges somehow look out onto the potential mate and
give the old thumbs up for women with large breasts because the urges are for
reproduction and large breasts imply a healthy, motherly mate. This may hold
weight for some, but there is a much more convincing argument available.
Sexual urges are very open-minded when it comes to their satisfaction. That
is, they don’t really care if they are gratified by a beautiful, healthy
woman or by the employer of the urges himself—the urges are satisfied
either way. If it was our urges or our genes, the conductors of our urges,
which dictated a man’s desire for large breasts, then it would be safe
to say that those genes would also dictate an urge for anything that could
satisfy the sexual impulses. In some cases (see American Pie or Will & Grace)
men are limited to this shallow urge and do allow anything to satisfy their
urges.
However, due to a generally accepted decorum, up until recently, most men who
followed those urges led themselves to a single, established destination—women.
With that being the case, a man will normally look to satisfy his urges with
a woman as opposed to any other means.
Likewise, our generally accepted decorum states that no man can do this without
some established process of courtship. Stemming from this process, a spectrum
of types of women concerning the willingness and dispatch at which they satisfy
their mate is realized. There are those who are unwilling or austere in this
function, and there are those who are quite opposite as well as those in between.
Using a Marilyn Monroe, Brigitte Bardot or Britney Spears as evidence in opposition
to a Lauren Bacall, Grace Kelly or Audrey Hepburn, the women who display large,
accentuated breasts in addition to excessive makeup and other things are the
ones who are more likely to be sexually forward.
As they are more sexual, the man whose driven almost completely by his sexual
urges will desire the woman with this persona. Over time, the sexual persona
has been simplified and skewed a bit to equal large breasts and therefore,
the man who is controlled by his physical urges is attracted to large breasts
as they imply satisfaction of his urges.
The man who is controlled by his sexual urges, however is not very sophisticated.
On the contrary, that man declines his mental and spiritual being in order
to grant credence to those powerfully urgent urges. And so, the man who lusts
over large breasts is unsophisticated.
If, somehow the proof is made that it is a non-sexual desire for a healthy,
motherly woman that dictates his preference for large breasts, I still cannot
accept it as sophistication. The man who desires this motherly comfort must
need someone to take care of him just as a mother would a child. In this case,
the man is without self reliance and, depending on the situation, may be without
the intelligence or maturity to provide himself with that self reliance. If
this is such, it should be said this a man is not sophisticated because to
have intelligence and maturity is to be sophisticated.
One other more recently widespread reason men might give for a desire for large
breasts is the notion that the larger something is, the better it is, a concept
popularized with the excesses of the 1980s. This is quite obviously an unsophisticated
desire and should be categorized with shock radio, gross-out humor and ultra-gory
movies.

A
Study In Curvilinearity
2002, Gouache on paper, 18"x24"
View more
writings and artwork by Eric Robert Morse at The
Weather Report |
*
* *
The
Appeal of Small Breasts
The
lover of large breasts is unsophisticated for the reasons above.
If it is the lover of large breasts that lacks a sophisticated appreciation
for the entity for the fact that they are large breasts that he likes,
does it follow that the lover of small breasts is the one who possesses
this rare sophisticated taste for the fact that they are small breasts
he adores?
The level of sophistication I have associated with small breasts is so far
dependent on the fact that men find large breasts to imply sexuality. This
fact stemmed from historical icons who were both large breasted and sexual.
If it were possible that somehow small breasts become related to sexuality,
would not large-breasted women then become intrinsically more sophisticated
leaving the small-breasted women to work harder in order to earn intellectual
respect?
There are two reasons why it is not possible that small breasts become associated
with any unsophisticated level of attraction, the first of which concerns conspicuousness.
A woman with large breasts, even without accentuating them or showing them
off, cannot hide them. She is unable to get around the fact that they will
play a major role in her physical being as it is seen by others. With this
being the case, she will be unable to conceal their presence, even with layers
of clothes. This is true in social situations as she will be forced to use
them in her attempt to attract a mate. This consequence of large breasts is
not necessarily unwanted as described above-—many men will enjoy it if
a girl uses her large breasts to market herself and she will find herself with
the upper hand in most social markets.
However, due to the unavoidable presence of large breasts, they will also be
noticeable in non-social situations, that is when attracting a mate is not
the goal—situations like work or academia. Even if she employs a style
and demeanor appropriate to the situation, the large-breasted woman is still
unavoidably seen as a social, sexual, physical being to members of the opposite
sex, thus detracting from the appropriate perception of her as a professional
or scholar.
On the other hand, it is quite possible that a subject with small breasts will
avoid this inappropriate perception, especially with the proper professional
or academic fashion and demeanor. If it is so that she can avoid the unwarranted
perception, and still attain respect, it must be because of something other
than her physical being. The small-breasted woman, therefore is respected for
her mental ability whether it be personality or intellect. Do we not, then
consider this subject to be admired on a more sophisticated level as personality
and intellect surely offer a more cultivated appeal than does the physical
level?
The second reason that small breasts will never serve unsophisticated, sexual
attraction concerns the essence of the beauty represented by the breast. To
explain this, I must first explain the essence of sexuality and exactly what
is sexy. The straightforward definition of the word ‘sexy’ would
be as simple as arousing sexual desire or interest. So what is it that does
this? Anything that ignites the notion that one might relieve one’s sexual
urges would be considered arousing sexual desire, not unlike the reason many
men enjoy large breasts as explored above. This is evidenced as such:
It is not necessarily true that anything specifically used for sexual activities
can perform sexual activities as in the case of a nun. It is known that nuns
do not perform sexual congress so a man will not allow himself to assume that
she will satisfy his urges and therefore she cannot be considered sexy even
though she possesses sexual organs.
We will also find that things not meant for sexual pleasure actually can fulfill
our urges as evidenced in modern pop culture media. In fact, anything physical
can probably replace the parts meant for sexual activity and therefore, anything
that implies the usage of those replacements should be considered sexy by our
definition.
*
* *
What
Is It to Be Sexy?
It
makes sense, to some extent, to consider large breasts to fall in
the category of sexy, as breasts are bodily organs used in reproduction.
But other things, like makeup and clothes can similarly imply sexual
activity thereby arousing sexual desire even though they are not
organs or even related to reproduction. Things like deep, sultry
voices do the job for many for some reason as do belly rings, nipple
rings and tattoos placed on the small of a girl’s formerly
pure back. These things are obviously not related to the act of intercourse,
but are promoted in society to be attractive, curiously enough. In
an even more ironic state of affairs, a girl who smokes or does drugs,
though these activities may indeed destroy her ability to reproduce
is also encouraged as attractive these days—that is, women
who do these things attract men.
The cause for these contradictions is simple. If a girl does promote the usage
of drugs, smoking or possesses tattoos, nipple rings and especially a belly
ring these days, a very important consequence becomes implicit.
Upon doing these things, she joins the socially acceptable. It is cool to be
a part of these trends today—do not all the coolest pop stars promote
belly rings, tattoos and drugs? If the subject subjects herself to the described
defamation, she will be like these cool celebrities and therefore attain the
exalted stature of cool.
As the girl becomes more socially acceptable by doing what everyone else is
doing, she also becomes more attractive to the opposite sex. This is due to
two things. First, males, just like females are not interested in challenges
when it comes to relationships, especially when it comes to emotional or mental
disruptions. If a man mates with a socially acceptable woman, he will be assured
of some prosaic personality of which he is familiar and with which he can deal
on a comfortable level. To gamble on a girl who is socially unacceptable is
not preferred particularly for a man with a quick “hooking up” on
his mind.
Secondly, the reason things like drugs, smoking, tattoos and belly rings are
popular is because they directly imply sexual engagement. Belly rings would
be the most obvious in that to display them, one would have to also display
more flesh which by tradition suggests a desire for sex. But generally, all
of these elements imply sex for the reason that they are the sign of a specific
kind of girl.
In direct opposition to the goody-two-shoes, clean and pure Donna Reed types,
tattoos and piercings represent a wildness or adventurousness. Drugs and smoking
represent an iciness towards the proper young lady ideal set forth in the ultra-chaste
Victorian era. It is this antithetical attitude that also says that a woman
is free to do what she wants, to be who she wants without the dictation of
some overbearing man. This freedom, no doubt, began as a trend counter to men’s
will with the move from housewife to professional or scholar, but was expanded
to the social arena and ultimately sexual arena, an expansion that was surely
accepted by men. This push towards personal freedom, which may have had virtuous
beginnings, has led to the careless, antithetical woman who is imprisoned to
an urgency of sexual activity for the sake of her social health.
This is how things that don’t rationally seem to be sexy,become sexy
when we use the popular, aforementioned definition of the word “sexy”—that
which implies the relief of one’s sexual urges. Obtrusively large breasts
fall into this category of sexiness. The question at hand is whether small
breasts might fall into this category at any point in the future and therefore
reverse their status of sophisticated. To answer this question, let us examine
another meaning of sexiness so as to avoid the contradiction revealed by the
one explained above.
If sexiness cannot be defined by the ability of something to satisfy the recipient
of sexiness, or the ability for something to satisfy one’s sexual urges,
perhaps it is based in the presenter of sexiness. That is, what is sexy should
not be a benefit for the observer, but a quality of the observed—the
observer is actually insignificant when regarding the true definition of sexy.
With this rationale, sexiness cannot be defined by what one offers others,
but rather what one is independent from others. So, in order to find what is
sexy, we must regard what one consists in first.
So, what is in each human that may make them sexy? With respect to sex and
sexiness, we have two distinct categories by which we can identify what each
human consists in and this entity would be different for each. There are males
and there are females. Since our new definition of sexiness is based in what
a human is, sexiness will be based in femininity for females and masculinity
for males.
If a woman is feminine, she is sexy and likewise, if a man is masculine, then
he is also sexy. Two interesting points arise from this assertion. The first
is that what is natural is sexy. Since each one of us is either man or woman
by nature, then each one of us possesses a natural potential sexiness. All
these things that we do to be sexy like smoke, get tattoos and breast implants
are counter to sexiness because they are unnatural additions to our persons.

Twilight
2002, Gouache on paper, 14"x17"
View more
writings and artwork by Eric Robert Morse at The
Weather Report |
*
* *
Naturalness
Begets Attractiveness
The
second point is that what is feminine or masculine, or for that matter,
what is natural in each human is quite ambiguous. Every biologist
would consider hairy legs to be natural for women, but most men and
I would consider smooth legs to be ultra-feminine. This twist makes
our quest for the truth about sexiness at least very interesting.
It is not an unattainable truth, however, but the notion that it
is ambiguous implies that it is an abstract and possibly highly conceptual
entity which defines natural femininity or masculinity and not one
that is eagerly accepted by the masses. So, to really unlock the
meaning of sexiness, we must explore the notion of naturalness.
Is naturalness what we see around us, the physical things that make up what
we call nature? If this is so, then we humans are certainly a part of that
nature and our naturalness would consist in the physical things that we have.
But we live in a world when these things change. Unfortunately, some people’s
urge to be socially acceptable have led them to alter what was provided them.
Even if science wasn’t a force between the genders, what makes a man
or woman at one stage in life is certainly different than that composition
in another stage. Is the fact that a small, scrawny boy can turn into a brawny
man and then back to a scrawny old man indicative of a changing masculinity?
Is the fact that a woman can possess a pair of small breasts one week and double-F
cup breasts the next indicative of a changeable femininity?
We are either to accept the notion that what it is to be a man or woman is
changeable and pliable at the whim of a fickle trend-follower, or we must look
to a place other than our physical universe in hope to find the naturalness
that I pose.
If it is the case that the significance of a man or woman changes depending
on the current trend, would it not also be the case that over time these meanings
would change to an extent that they do not resemble what they do now? While
we do not have the luxury of exploring the meaning of men and women as it will
be in the future, we can look into our past to see how they vary over time.
But as we do, we can see a distinct consistency in what makes a woman or man.
Since history began, men have always been portrayed as the strong, capable
sex while women have been portrayed as the gentle, beautiful gender. And this
is not simply a matter of physical doing, it is portrayed in the behaviors
of men and women as well as their more abstract auras. What makes each gender
what it is has not changed in humankind’s history, and therefore, we
are not able to accept just because we have at our behest the otherwise promising
sciences to change our physical makeup, that we can change what it is to be
a man or woman.
We must, then, look to a more conceptual realm for the definition of masculinity
and femininity. If we have concluded that this definition is not to be found
in our current, physical universe, or more precisely, what one is; we must
also conclude that it should be found in our prospective, ideal universe, or
what we are meant to be. Naturalness is what one is meant to be.
The ideal woman or ideal man is what is natural and therefore what is feminine
or masculine. If a man achieves his ideal or if a woman reaches her’s,
then and only then can they be truly sexy. The question then is what is the
ideal man or woman? And, if ideals are supposed to oppose the physical (see
Amazement), then how can one’s body, including those with breasts, be
considered sexy at all as we know that bodies are physical? The answer is that
though the feminine ideal is not anything physical, the physical form is responsible
for representing that ideal. If it is successful, then it could be said that
the individual is sexy, if not, then such an assertion cannot be made.
Due to the physical limitations of the human body, we can conclude that before
the age of adulthood, no one can possess a body which reflects the ideal, whether
it be masculine or feminine; and the same can be said for the elderly although
that limit is not as concrete as the lower one. This is appropriate, seeing
as how it is impossible to rationally consider the elderly sexy and also absurd
to consider children so.
So what about bodies during this middle age makes them at least potentially
reflective of the ideal? It is here where the true femininity and masculinity
is achieved. It is here where the true dichotomy between the two sexes is realized.
Man is at his strongest, tallest, quickest during this time while woman is
at her most shapely, most graceful and most proportionate. This age, when the
dichotomy between the sexes is most distinct, is when the long-lasting auras
of masculinity and femininity are best reflected in our bodies.
With that being said, how is this femininity reflected in the breast? That
is, what kind of breast reflects best the ideal femininity? In agreeance with
the above argument, the female body, including her breast, which reflects the
ideal femininity is the one which best opposes the male body which reflects
the ideal masculinity. And since it is masculine to be larger, stronger, more
rigid and forceful, it is therefore feminine to reflect subtlety, grace, flowingness
and curvilinearity.
It is the small breast which possesses all of subtlety, grace, flowingness
and curvilinearity, as opposed to the larger, stronger, more rigid and forceful
large breast. Therefore, it is the small breast which best reflects the feminine
ideal. The lover of the small breast is the sophisticated, and this unwavering
truth will disallow the ingenuous from lusting after it or true beauty to escape
it.
--Eric
Robert Morse, 2002 |
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